The Recruiter (A Thriller) Read online

  Contents

  Prologue

  One

  Two

  Three

  Four

  Five

  Six

  Seven

  Eight

  Nine

  Ten

  Eleven

  Twelve

  Thirteen

  Fourteen

  Fifteen

  Sixteen

  Seventeen

  Eighteen

  Nineteen

  Twenty

  Twenty-One

  Twenty-Two

  Twenty-Three

  Twenty-Four

  Twenty-Five

  Twenty-Six

  Twenty-Seven

  Twenty-Eight

  Twenty-Nine

  Thirty

  Thirty-One

  Thirty-Two

  Thirty-Three

  Thirty-Four

  Thirty-Five

  Thirty-Six

  Thirty-Seven

  Thirty-Eight

  Thirty-Nine

  Forty

  Forty-One

  Forty-Two

  Forty-Three

  Forty-Four

  Forty-Five

  Forty-Six

  Forty-Seven

  Forty-Eight

  Forty-Nine

  Fifty

  Fifty-One

  Fifty-Two

  Fifty-Three

  Fifty-Four

  Fifty-Five

  Fifty-Six

  Fifty-Seven

  Fifty-Eight

  Fifty-Nine

  Sixty

  Sixty-One

  Sixty-Two

  Sixty-Three

  Sixty-Four

  Sixty-Five

  Sixty-Six

  Sixty-Seven

  Sixty-Eight

  Sixty-Nine

  Seventy

  Seventy-One

  Seventy-Two

  Seventy-Three

  Seventy-Four

  Seventy-Five

  Seventy-Six

  Seventy-Seven

  Seventy-Eight

  Seventy-Nine

  Eighty

  Eighty-One

  Eighty-Two

  Eighty-Three

  Eighty-Four

  Eighty-Five

  Eighty-Six

  Eighty-Seven

  Eighty-Eight

  Eighty-Nine

  Ninety

  Ninety-One

  Ninety-Two

  Ninety-Three

  Ninety-Four

  Ninety-Five

  Epilogue

  Also by Dani Amore

  About the Author

  THE RECRUITER

  by

  Dani Amore

  THE RECRUITER

  Copyright ©2014 by Dani Amore

  All rights reserved.

  THE RECRUITER is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

  No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission from the author.

  Interior book design by Bob Houston eBook Formatting

  THE RECRUITER

  By

  Dani Amore

  “Every man contains all the horrors of mankind.

  And each man adds a new wing to the museum.”

  -Henry Miller, Black Spring

  Prologue

  The mountain is manmade.

  Ten feet of blown snow and plowed ice. Once pure and white, it’s a tower of misshapen gray that is gradually being pulverized into the consistency of sand by the action of hundreds of small hands and feet.

  It sits at the back of the playground, away from the rusted basketball hoops, the swing set, and jungle gym. The painted lines of the kickball court are buried beneath the thin layer of snow and salt that escaped the sharp edge of the janitor’s chain-driven snowplow.

  At high noon, the bell rings and the school doors burst open. The older boys are scrambling, pushing, shoving, falling, and slipping their way toward the pinnacle. There are no rules. No alliances. No teamwork. This is every boy for himself. Chunks of ice are thrown. Hands are placed on the nearest back and pushed. Boots are pulled off. Feet are tripped. Wool scarves knitted by doting grandmothers are turned into deadly garrotes.

  It is the battle of the fittest with the prize going to the swiftest.

  The younger kids are watching the free show, careful to stand far enough away from the battle zone so as not to be injured by shrapnel.

  A young girl with light brown hair and gray eyes watches the boys. She has on a pink coat with a yellow hat and thick yellow mittens. Her snow pants are light blue. Her boots are purple.

  She is looking at the boys trying to guess which one will get to the top. The biggest boy is hurling the smaller ones with ease, but he looks slow to the young girl. She can see that he is clumsy, the way his feet slip and slide while smaller boys scramble past him.

  The girl watches one of the smaller boys who seems to be the fastest. He darts in and out, getting closer and closer. Just when she thinks he’s going to be the one, one of the bigger boys grabs him by the scruff of his jacket, like a mother cat gathering up a kitten, and hurls him to the bottom. No, she thinks, he won’t be the one.

  She watches the melee, a group of ants trying to organize itself. The boys are interchangeable, flitting in and out of the stream, until one boy begins to stand out. He has on a thin blue jacket with no hat or mittens. The girl wonders how he can manage in the bitter cold. He has dark hair and a pale face. His white basketball shoes are mottled and worn. He has made it near the top and is close.

  The girl studies him. He looks different, but why? There are other boys who are underdressed and wearing tennis shoes instead of winter boots.

  And then she realizes why.

  He’s the only one not smiling.

  The boy ducks his head and bulls past the rest of the boys. They try to stop him, but he knocks them with his shoulders, lashes out at them with his feet, and swings wildly with his bare fists. His mouth is set. His face a slash of white. His lips a cruel line of red.

  He breaks free and scrambles to the top, his hands and feet shoveling snow behind him, like a badger digging a hole. He makes it to the top. And stands. The boys below momentarily pause to watch him.

  The biggest boy’s arms are pin-wheeling, and he falls backward, slides down the hill, and comes to a rest at the bottom, his red-flushed face split by a huge grin.

  The girl moves. She walks toward the mountain of snow. Her eyes meet the eyes of the boy at the top. Their gazes hold for what feels to the girl to be a long time.

  And then she runs.

  The path cleared by the big boy is still clear, and she scrambles, her small legs pumping, her purple boots sharp and firm in the snow.

  The boy holds out his hand as she nears, and then her yellow mitten is inside it, and he hoists her onto his shoulders. She is not scared. The breath comes from her lungs. She can look out and see the whole playground. I should not be here, she thinks. This is for the big kids. For the big boys. But then, a funny thing happens.

  Slowly, her arms go over her head in a sudden inspiration of pure triumph. She reaches for the sky, her heart singing, her head thrown back. She is screaming. Whooping.

  In her peripheral vision, she sees the boy’s bare hands, glistening with wetness, the fingertips looking almost blue. His hands curl into fists and the two stand atop the mountain, arms raised over their heads.

  Victorious.

>   One

  The killer pulls his white Ford Taurus rental car along the curb next to a Chinese restaurant, a few blocks past San Diego’s gay district and just before the first house of a quiet residential neighborhood. The kind of area where retirees sit in darkened living rooms, alternately watching television and any activity outside, ready to change channels or call the police, depending upon what action unfolds in either arena.

  He shuts the car off and places the keys in his pocket. He steps out, shuts and locks the door, then walks up to the corner and turns right, toward the neon signs, loud music, and sidewalks crowded with men.

  The air is warm but dry with a soft breeze that stirs the palm trees. A full moon hangs overhead, bathing the gaudy strip ahead in an eerie glow.

  He tells himself that he can stop. That he can go right back to his car, climb in, and drive away. That doing this…thing…will put him on a road with no way to turn back. Although his walking pace is steady, his stomach is roiling, a yo-yo full of acid. His head feels gauzy, as if his eyes and ears are filtering things, distorting them.

  He walks by a clothing store and catches his reflection in the window. He’s tall and lean, with dark hair and a face that looks carved, with sharp edges and angles. In his blue jeans and denim jacket, he looks rugged. Capable. Even handsome.

  His name is Samuel, and he keeps walking.

  He has thought about this moment. From the very second the great injustice transpired, he has gone over it and over it in his mind. It’s all about goals. Deciding what’s important. What you want to achieve, and then putting together a plan and systematic steps to achieve those goals. There are many options. But this is the most direct, the most permanent, the best approach of them all.

  It’s also the most dangerous, with the greatest chance of backfiring. Can he stomach it and survive?

  He doesn’t know. At one point in his life, he was committed to a goal and never thought he’d fold…but he shakes that thought away. He is still committed to that goal. Now more than fucking ever. What he does know is that he will not be stopped. The part of his life that was ripped away needs to be put back. He isn’t whole. Until things are made right, he simply cannot exist in this state.

  Samuel knows what he’s looking for. He peers into the first place, The Cock and Bull, and sees that it isn’t right. It’s not crowded, there’s no loud music, nothing going on. Just a few middle-aged men sitting around an oval bar in a faint haze of cigarette smoke. He walks on, staring straight ahead. Several men pass him, staring intently, but he doesn’t look at them. He’s fixed on his target. He passes several more bars, but one glance into each tells him to keep moving.

  Up ahead, he can see a small group of men milling around an entrance that’s lit by a strobe light; swirling dots of color shower the men and the sidewalk. A pounding bass thumps the air around them. Samuel walks closer and can see a sign that reads: M&M. Beneath the sign is a vintage advertising banner that says “M&M’s candies melt in your mouth, not in your hands!”

  A low whistle sounds from the group, and the men turn as one to face Samuel. He ignores them and walks through the door. A muscular bouncer in a wife-beater T-shirt tells him there’s a five-dollar cover. Samuel pays the man and walks inside.

  It smells like a normal bar to Samuel, except maybe the scent of cologne is stronger. An empty stage sits at one end of the bar. The rest of the place is dominated by a circular bar with clusters of tables flanking it.

  For a moment, Samuel freezes. His head is pounding, his stomach is surging toward his throat. He feels like a little boy who’s about to do something very bad. Even though this is the least criminal portion of what he plans to do tonight, he nonetheless wants to turn around and run. He wants to race back to his car and curl up in the back seat, and cry. An image of his father floats before him, and he nearly screams.

  Is it worth this? He asks himself the question, but knows that the answer is yes. Years of striving, of dreaming, of imagining, of believing, come down to this.

  Samuel walks past the bar toward the jukebox. It’s belting out a Doors song, something about a soul kitchen. He sees the sign for restrooms, an M&M with nuts, and follows it down a short hallway to a cheap pine door. He pushes in and walks briskly past the two urinals for the stalls. There are three smaller stalls, with a bigger handicapped one at the end.

  He pushes open the first stall and looks. It’s empty. He scans the floor, but it’s clean. The door swings shut, and Samuel pushes open the second door. It’s empty as well. He checks the third and finds the same result.

  He puts his hand on the fourth door when he hears the sound of flesh smacking flesh. A soft groan comes from the stall. Samuel bends down and looks under the door. Two pairs of feet are facing the same way, partially obscured by pants and belts. One pair are topsiders, the other wingtips.

  Samuel goes back into the third stall and sits down on the toilet. He waits. The lovemaking sounds continue. He looks at the graffiti on the metal stall wall. “Jeremy’s the best!” Phone numbers. Crude drawings of male genitalia. A note: “My mother made me gay!” Followed by a witty rejoinder: “Will she make me a sweater?”

  The sounds in the stall next to him intensify, filling the small room. A deep moan fills the space, and the sound stops. After several moments, Samuel hears the snap of plastic, and then pants and zippers being pulled up.

  The men shuffle to the door and suddenly the sound of the jukebox fills the bathroom. The door shuts, and the room is quiet again. Samuel moves quickly. He leaves the third stall, enters the fourth, and pulls the door shut behind him. From the front pocket of his denim jacket, he pulls a pair of surgical gloves and slips them on. From the other pocket, he pulls a plastic baggie.

  Samuel looks around the toilet for the used condom and spies it on the right side, beneath the toilet dispenser.

  Samuel picks it up, careful to grasp it at the top ring, and slides it into the plastic baggie.

  Samuel places the baggie into a pocket, strips off the plastic gloves, and drops them in the wastebasket on the way out. He’ll need another pair for the next phase of the operation, but that’s okay.

  He has several more in the car.

  Two

  He stands on the threshold of his destiny.

  The streaking rays of sunset have faded completely from the sky. Reflections from the bonfire light the side of his face, shading the dark hollows.

  Coronado, California, sits behind him. Home to the North Island Naval Station and the infamous Navy BUD/S program: Basic Underwater Demolition/SEAL training. It is to this small island just off the coast of San Diego that young men volunteer to become Navy SEALs, knowing that in order to accomplish that feat, they must first pass the BUD/S program. They’ve heard the statistics—that over ninety percent of them won’t make it. That people have died during this training.

  But on this night, Saturday night, they are not worried. They are drinking, celebrating, preparing.

  Phase One of the SEAL training begins on Monday. This Saturday night party is a tradition, meant to punctuate the recruits’ last night of freedom before they turn their lives over to the BUD/S instructors.

  Samuel looks west, out into the ocean. Behind him, the others are drinking, talking with slurred voices, dealing with their fears and anxieties the only way they know how: mainly, to deny them. But Samuel Ackerman is not in denial. He knows what’s at stake. Ever since his father told him he’d been a frogman for the Navy—the same group that later became the SEALs—it has been Samuel’s dream. To be the most complete, most highly trained, most physically fit soldier in the world: a Navy SEAL.

  Samuel takes a drink from the can of Budweiser. His free hand, the right one, goes to his face, and he rubs a spot just above his right eye. Whenever he thinks of his father, he does this. It is the very spot where the old man’s boot crunched his skull—but Samuel doesn’t want to think about that now. This is his moment, not that monster who came back from Southeast Asia with the mind of a
killer and the body of a junkie.

  Samuel sits down abruptly and takes off his shoes and socks. He scoops up the can of Budweiser and takes a long drink. He walks forward, into the water. Southern California or not, the water is cold. It is something the BUD/S instructors are acutely aware of and use to their advantage at every moment. It is the cold mainly, along with the sleep deprivation, that causes so many to drop out, to ring the infamous bell that will be within reach at all times. When a recruit rings the bell, it means he quits. He is given a hot meal and a warm bed.

  Samuel will not ring the bell.

  He stands there, his feet sinking into the rough textured sand, feels his toes descend. The water is cold, and he knows that at some point he’ll be linked arm in arm with other recruits at some ungodly hour of the morning, sitting in the surf as wave after wave of ice-cold water smashes into them. It’s called Hell Week, and it’s when the majority of recruits drop out of the voluntary training program.

  Samuel won’t drop out. He’s waited too long. Thought too much. Worked too hard.

  He looks into the water, at its murky depths. It will be settled there, he thinks. Despite the running. The pushups. Carrying the boats on their heads. The complete sleep deprivation. The BUD/S instructors with their relentless taunting, pushing, deriding.

  The water is where it will be decided. It is the water that washes away the will. That erodes the desire. That softens the heart.

  Samuel is glad. He is good in the water, has been all his life.

  He spits into the ocean and drinks the rest of his beer in one long swallow. He looks off across the water, at the dark horizon.

  His destiny is there.

  Waiting.

  Three

  Samuel drives along the row of bars a block from the naval base.

  The sidewalks are crowded with sailors, sailors and their girlfriends or girlfriends-to-be. Occasionally, groups of men can be seen leaving one bar and walking into the next one. They are drunk, alive, and ready to make the most of their time away from base.

  Samuel drives for two blocks before he sees The Outer Bank, a clapboard tavern painted blue with a life ring and a pelican affixed over the front door. He drives past and circles the parking lot, looking for a black Chevy truck with the Navy SEAL bumper sticker.